A Short Biography of Robert E. Howard by Rusty Burke Robert Ervin Howard ranks among the greatest writers of action and adventure stories. It has helped keep his work in the public eye for six decades since his death, but it has also obscured the astonishing breadth of his imagination, his talent for mastering a variety of genres and his ability to weave his magic in both prose and poetry.
A poetic accomplishment of quite another order is that of John Dryden. He was 29 years old when Charles II returned from exile, and little writing by him survives from before that date.
However, for the remaining 40 years of his life, he was… Youth and education The son of a country gentleman, Dryden grew up in the country. When he was 11 years old the Civil War broke out. About Dryden was admitted to Westminster Schoolwhere he received a predominantly classical education under the celebrated Richard Busby.
His easy and lifelong familiarity with classical literature begun at Westminster later resulted in idiomatic English translations.
In he entered Trinity College, Cambridge, where he took his B. What Dryden did between leaving the university in and the Restoration of Charles II in is not known with certainty.
In his contribution to a memorial volume for Oliver Cromwell marked him as a poet worth watching. This kind of public poetry was always one of the things Dryden did best.
When in May Charles II was restored to the throne, Dryden joined the poets of the day in welcoming him, publishing in June Astraea Reduxa poem of more than lines in rhymed couplets. For the coronation inhe wrote To His Sacred Majesty.
These two poems were designed to dignify and strengthen the monarchy and to how to write a short author biography john the young monarch with an aura of majesty, permanence, and even divinity.
In due course she bore him three sons. In this work Dryden was once again gilding the royal image and reinforcing the concept of a loyal nation united under the best of kings. It was hardly surprising that when the poet laureateSir William Davenantdied inDryden was appointed poet laureate in his place and two years later was appointed royal historiographer.
Writing for the stage Soon after his restoration to the throne inCharles II granted two patents for theatres, which had been closed by the Puritans in Dryden soon joined the little band of dramatists who were writing new plays for the revived English theatre.
His first playThe Wild Gallant, a farcical comedy with some strokes of humour and a good deal of licentious dialoguewas produced in It was a comparative failure, but in January he had some share in the success of The Indian Queena heroic tragedy in rhymed couplets in which he had collaborated with Sir Robert Howardhis brother-in-law.
Dryden was soon to successfully exploit this new and popular genrewith its conflicts between love and honour and its lovely heroines before whose charms the blustering heroes sank down in awed submission. In the spring of Dryden had his own first outstanding success with The Indian Emperour, a play that was a sequel to The Indian Queen.
In Dryden had another remarkable hit with a tragicomedy, Secret Love, or the Maiden Queen, which appealed particularly to the king. In Dryden published Of Dramatick Poesie, an Essaya leisurely discussion between four contemporary writers of whom Dryden as Neander is one.
This work is a defense of English drama against the champions of both ancient Classical drama and the Neoclassical French theatre; it is also an attempt to discover general principles of dramatic criticism.
By deploying his disputants so as to break down the conventional oppositions of ancient and modern, French and English, Elizabethan and Restoration, Dryden deepens and complicates the discussion. This is the first substantial piece of modern dramatic criticism; it is sensible, judicious, and exploratory and combines general principles and analysis in a gracefully informal style.
The prefaces to his plays and translations over the next three decades were to constitute a substantial body of critical writing and reflection.
Although Dryden averaged only a play a year, the contract apparently was mutually profitable. In June he gave the company Tyrannick Love, with its blustering and blaspheming hero Maximin. In December of the next year came the first part of The Conquest of Granada by the Spaniards, followed by the second part about a month later.
All three plays were highly successful; and in the character Almanzor, the intrepid hero of The Conquest of Granada, the theme of love and honour reached its climax. But the vein had now been almost worked out, as seen in the production of that witty burlesque of heroic drama The Rehearsal, by George Villiers, 2nd duke of Buckingham, in which Dryden Mr.
Bayes was the main satirical victim. The Rehearsal did not kill the heroic play, however; as late as NovemberDryden staged his last and most intelligent example of the genre, Aureng-Zebe.
In this play he abandoned the use of rhymed couplets for that of blank verse.
In writing those heroic plays, Dryden had been catering to an audience that was prepared to be stunned into admiration by drums and trumpets, rant and extravagance, stage battles, rich costumes, and exotic scenes.Anderson, Kevin.
Kevin J. Anderson is an American science fiction author with over forty bestsellers. He has written spin-off novels for Star Wars, StarCraft, Titan A.E., and The X-Files, and with Brian Herbert is the co-author of the Dune prequels.
A Short Biography of Robert E. Howard. by Rusty Burke. Robert Ervin Howard () ranks among the greatest writers of action and adventure stories.
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