His grandmother insisted that his first name be Louisbut his parents always called him Leonardwhich they preferred. He legally changed his name to Leonard when he was fifteen, shortly after his grandmother's death.
Hire Writer The point of having a prologue is just to sum up the story and to give you an outline of what is going on throughout the film. The film runs the TV clip against a black background.
Film 1 directed by Franco Zeffirelli is set in Medieval Verona. This setting is given a really romantic mood as the director uses a trick with a camera filter.
The filter gives the impression of the town being covered in a pink mist and haze. Los Angeles is a vibrant, lively city, and is very futuristic.
The main difference is that in the first film a romantic setting is lay down from the start of the film, whereas in film 2, it is half way through the film before a romantic setting is introduced into the film.
The camera gradually pans across the whole of the city under a pink mist, and then it focuses on the sun.
The static image suddenly changes and in contrast there is a busy noisy market place with people dashing around everywhere and buying food. The soft mellow architecture of the buildings and the dress of people give Compare the opening of zeffirelli essay visual impact of a Renaissance painting. Then the camera once again moves and this time it zooms in to the feet of two people.
Compare this to the start of Film 2, there is the same aerial view but that is where the similarity ends. The busy city streets and sights of present day Los Angles replace the market place in Verona. The modern cars and technology show this film really has been adapted to fit modern life.
Then the viewer is introduced to the two main families as we are taken to buildings with the different family names on them. The images give the impression that the families are both powerful and rich. Using the same approach as Zefirelli, Lurhman uses the camera to introduce you to characters starting at the feet.
This time the foot is putting out a match, and then as the picture unfolds we see one of the Capulet family. In the first film the prologue is delivered in the form of a voice over with no face to be seen. Sir Laurence Olivier, who was a highly respected Shakespearian actor of both film and theatre, has a great richness in his voice.
Olivier is very famous for his Shakespearian acting and I believe he would have been a favourite to have in this picture to attract people to watch it. The second film shows the prologue on the TV as a news article. The TV is on a dark black background and this draws your attention to the article on the news, it finally focuses on a black newsreader.
The use of a black female newsreader and her serious tone of voice also helps to add realism to the film. As you watch the prologue on the TV, the camera zooms into the TV.
All of a sudden you are transported to the city of Los Angles and the story and all of the action begin. This is just as an effective introduction as the first film as the background forces you to pay attention to the TV.
Again the viewer will listen to what is being said before being whirled into the full-blown action piece. The prologue in the second film, would I believe, appeal to a wider audience today than the first one. We are so used to watching TV that we automatically tune in to the screen whether we realise it or not.
It is so familiar that you listen without thinking. More importantly it is such an everyday thing that it lends a sense of realism to the film. Film music is an art in its own right.
Music adds to the mood of a film and in many instances if the music is really appropriate it can say just as much as an actor saying his or her lines.
Because of the main differences in the two versions of the films, one in an historic setting the other in a modern day one, the music would have to be very different. Zeffirelli chooses to start his film with easy melodic calm music played on instruments in keeping with its period.
This gives a romantic, nostalgic atmosphere. The music reflects the mood of the film, it makes you watch and listen, and the pictures concentrate on newspaper articles describing the families. You know from the music that these families are not quiet run of the mill, stay in the background type people.
In keeping with the camera moving into the city centre so the music changes.- Comparing The Opening Shots in Baz Luhrmann and Franco Zeffirelli's Versions of Romeo and Juliet This essay will compare two versions of 'Romeo and Juliet' directed by Baz Luhrmann and Franco Zeffirelli.
This advertisement from the New York Times Archive from November, illustrates the wide variety of fine movies that were playing in New York theaters simultaneously.
Falstaff (Italian pronunciation:) is a comic opera in three acts by the Italian composer Giuseppe webkandii.com libretto was adapted by Arrigo Boito from Shakespeare's The Merry Wives of Windsor and scenes from Henry IV, parts 1 and webkandii.com work premiered on 9 February at La Scala, Milan..
Verdi wrote Falstaff, which was the last of his 28 operas, as he was approaching the age of Free Essays \ Compare the opening scenes of Luhrmann and Zeffirelli film adaptation of Romeo and Juliet; The opening scene in Zeffirelli’s version ‘Romeo and Juliet’ is very slow, very calm and the actors perform in the manner true to the Shakespearian times.
The opening scene of Luhrmann’s version of the film is very fast, exciting. The Case of the Scorpion's Tail Blu-ray delivers stunning video and great audio in this excellent Blu-ray release Lisa Baumer learns that her husband has died in a freak plane accident.
William Shakespeare 's Romeo And Juliet - Romeo and Juliet is a play conforming around the context of tragedy, it is about a tragic love story coinciding a pair of star-crossed admirers from rival families.